The Knox County judicial system was pretty much demolished yesterday by the details of the lengthy drug addiction of Judge Richard Baumgartner, details which led to the inevitable decision that new trials are necessary for four previously convicted killers in the grisly Christian-Newsom murder case. That case already is marked as one of the more heinous criminal acts in recent Knox history, but Judge Baumgartner's intense level of intoxication - which he experienced for years on the bench according to the TBI investigation - should rattle everyone in the county to their core.
The information revealed yesterday indicates so many levels in law enforcement and in the judicial system knew about this travesty and yet years passed before the judge was removed from the bench with the most minor of consequences.
"... Judge Baumgartner was taking up to 30 hydrocodone pills a day.
"Baumgartner's physician, Dr. Dean Conley, with
Knoxville Gastroenterology, tried to wean Baumgartner off his addiction,
referred him to another doctor and urged him to retire in 2008.
Baumgartner admitted his addiction, but said he needed another three
years on the bench.
Dr. Conley described Baumgartner's appearance at that time as "ghastly."
The TBI found Baumgartner was doctor shopping.
Eight doctors were eventually prescribing hydrocodone, oxycodone and
other pills to him. This was going on from 2006 through 2010.
"There is no other conclusion but that Baumgartner was operating on the bench as incapable since 2008, Judge Blackwood said.
Baumgartner "shouldn't have been on the bench in
2008," Judge Blackwood said. "Everything he's done since then, we're
going to have to fight that battle."
And we've just barely touched the edges of how extensive this judicial disaster will reach.
As for Baumgartner - he was removed from the bench, but the court at that time also ruled that his record would be wiped clean after 2 years and he'll still get his pension.
I'm leaning more and more towards at least understanding why massive
protests nationwide are being maintained, that indeed 99% of America is
being made fools of and abused by the 1%. I see little effort or will by
those in power in government or business to change the current stream
of greed and madness.
The twisted gyrations in corporate business today defy descriptions and explanations - record profits and continued layoffs are going hand in hand, stalling economic growth in favor of short term benefits at a disgusting and disturbing pace. Yet explaining or understanding this maze of deception is masked by acronyms unknown or seldom defined and is all handled by nebulous executive decisions. It's as if quantum physics has become an economic theory which few can comprehend.
"When Pfizer cut its research budget this year and laid off 1,100
employees, it was not because the company needed to save money.
"In fact, the drug maker had so much cash left over, it decided to buy
back an additional $5 billion worth of stock on top of the $4 billion
already earmarked for repurchases in 2011 and beyond.
"The moves, announced on the same day, might seem at odds with each
other, but they represent an increasingly common pattern among American
corporations, which are sitting on record amounts of cash but insist
that growth opportunities are hard to find.
"The result is that at a time when the nation is looking for ways to
battle unemployment, big companies are creating fewer jobs, and critics
say they are neglecting to lay the foundation for future growth by
expanding into new businesses or building new plants.
"But spending on capital investments like new plants and infrastructure
has stagnated more broadly in corporate America, confounding efforts by
the Obama administration to spur economic growth. Capital expenditures
by companies on the Standard & Poor’s 500-stock index are expected
to total $546 billion in 2011, down from $560 billion in 2008, according
to data compiled by Thomson Reuters Eikon.
"Earlier this month, Pfizer increased its estimate for stock repurchases
this year to between $7 billion and $9 billion — essentially spending in
one year nearly all of the money it set aside in February for multiyear
buybacks. There has been a steady drumbeat of other companies laying
off workers even as they have disclosed plans to buy back more stock. On
June 23, Campbell Soup said it would buy back $1 billion in stock; five
days later it announced plans to eliminate 770 jobs. Hewlett-Packard
announced a $10 billion stock repurchase in July, and jettisoned 500
jobs in September after it discontinued its TouchPad and smartphone
product lines.
"Powered by huge stock buybacks — [Zimmer] bought $500 million worth
of its own shares last year, more than twice what it spent on research
and development — Zimmer posted earnings growth of 10 percent a share,
even though operating income and revenue grew by less than 5 percent in
2010."
"A federal judge in New York refused on Monday to endorse a $285 million consent agreement with the SEC that would have allowed Citigroup Global Markets, Inc., to avoid any admission of wrongdoing in a deceptive securities transaction that earned Citigroup$160 million in profits while investors lost $700 million."
"At issue in the case was a 2007 effort by Citigroup to create and
market a billion-dollar fund of problematic mortgage-backed securities
just as the nation’s housing bubble was about to burst. The arrangement
allowed Citigroup to dump assets of questionable quality on misinformed
investors.
"Citigroup told prospective investors that the fund’s
assets had been hand-picked by an independent investment adviser, when,
in fact, Citigroup used the fund to jettison $500 million in risky
assets.
"In addition, unknown to the investors, Citigroup had also taken a short
position on those same assets, counting on the securities losing their
value. When they did, Citigroup realized net profits of $160 million in
addition to $34 million in fees it charged to set up the investment. In
contrast, the investors lost everything – more than $700 million.
"The judge added: “The court, and the public, need some knowledge of what
the underlying facts are: for otherwise, the court becomes a mere
handmaiden to a settlement privately negotiated on the basis of unknown
facts, while the public is deprived of ever knowing the truth in a
matter of obvious public importance.”
Stories for children have a raw power which can cripple hypocrisies and hatreds and which often celebrates the best qualities of humans - even a seemingly innocuous cartoon like that which gave the world Scooby Doo and Mystery Incorporated.
Doubtful gibberish, you say? Then consider the following insights from Chris Sims' recent article about why the cartoon has endured:
" ... that's the thing about Scooby-Doo: The bad guys in every episode aren't monsters, they're liars.
"The very first rule of Scooby-Doo, the single premise that sits
at the heart of their adventures, is that the world is full of
grown-ups who lie to kids, and that it's up to those kids to figure out
what those lies are and call them on it, even if there are other adults
who believe those lies with every fiber of their being. And the way that
you win isn't through supernatural powers, or even through fighting.
The way that you win is by doing the most dangerous thing that any
person being lied to by someone in power can do: You think.
For many years, I've been at Waffle House customer, though I have never ordered or eaten a waffle while frequenting the restaurant. I prefer steak and eggs or maybe a Patty Melt and plenty of coffee. And for many years, I've found the restaurant an inviting location to sit and write. But that is not true for every location, just a few really.
But now it seems waffles are harbingers of disaster and crime, or at least, despair.
The NYTimes on Sunday featured a report pondering the apparent rise in crimes and robberies at Waffle House - a recent spate of robberies, the so-called Waffle House Terrorists, and more are cited in the report, which says:
"Sgt. Dana Pierce said the police were paying extra attention to all
24-hour diners, but especially Waffle Houses. It is easy to see why they
can become targets for criminals, he said. “They are cash-driven,” he
said. “They are near Interstate exits. And they are open 24 hours, when
people aren’t necessarily in a sober state of mind.”
And this morning I noted a viral video showing Black Friday shoppers going mad for a sale on $2 waffle irons at a Wal-Mart in Arkansas:
So I'm left wondering if the waffle itself is a portent of doom.
It tends to ooze and slide out of the can and land on the plate making a horrible Splorp! sound. It tends to be marked with indelible ringed impressions which uncomfortably resemble the contents of a can of Old Roy dog food. And if it is called "sauce" it should never stand vertically like that on a plate.
-- It's worth noting the different tactics employed against protesters - hands off policies in place when folks tote guns to protest rallies versus aggressive "non-lethal" assaults on peaceful, non-gun-toting protesters. Also notable - we have very steadily adopted the notion that government permits are needed in order to exercise our rights to voice opinions via a protest.
-- One wonders why aggressive enforcement of banking and financial regulations were not immediately applied to halt bogus and conflated schemes for making money as quickly as authorities were called in to remove tents, sleeping bags, and peaceful protesters from public spaces. Which of the above actions constitute the greatest threat to public safety?
-- Despite the spread of national and international protests and concerns over financial management (or mismanagement) in government, Republicans in Congress remain locked up solid against improvements to the economy, even the improvements they vowed to provide."Republicans, in effect, said in August, “If we fail, we’ll accept
these cuts we don’t want.” The same Republicans, in effect, are now
saying, “It turns out, we don’t like our idea anymore. ... In the bigger picture, Republicans were never working in good faith.
Even putting aside the inherently disgusting debt-ceiling crisis they
created over the summer, GOP officials were willing to offer the
defense-cut trigger precisely because they knew they’d try to kill it
after the super-committee inevitably failed."
-- If this is the non-doctor person you decided to visit to get "butt enhancement" injections -
A cash windfall is headed my way as a result of class action lawsuit against Netflix and Wal-Mart. I was not a part of the class action, so naturally, those who were will get a heap of money and I will not. They are set to receive about $5,000 each.
If I file a claim, which I can, according to the email I received today, then I could expect about $1.50. Probably a gift card.
Once again, the oddest of political animals - politicians who campaign by calling the government a monstrous creation - returns, as Lt. Gov. Ron Ramsey hosts what he calls a "red tape tour". Claims are made that government regulations are so huge and vile, the regulations are what hurts our economy most.
"... surveys from the National Federation of Independent Business, and
Brookings Institution scholarship ... all said the same thing:
government regulations are not responsible for holding back the economy.
The New York Times, the AP, the Economic Policy Institute, the Wall Street Journal, and McClatchy newspapers all did their own research and reporting on this in recent weeks, and all came to the exact same conclusion.
At this point, it’s safe to say anyone insisting that regulations are
the driving factor behind the weak economy is a fool or a hack."
Here you go - your chance to both see and hear me as I promote my current theatrical project, all real life (sort of, the beard I'm sporting is for a character I'm playing in this production of Agatha Christie's "And Then There Were None" by the Morristown Theatre Guild, a show I am also directing. Which is to say I do not normally have a beard.)
This is the first time I have been on YouTube (and I think, the first time the Guild has a YouTube vid.) This was shot while I was doing some emcee work for the annual Mountain Makins festival in Morristown, and was shot for Morristown TV Today.
What I noticed in this promo for the show is that when I start talking about the plot for Christie's play - 10 people are stranded on an island estate and are being killed off one by one - is that I suddenly develop a case of Crazy Eyes. I must confess that it is quite likely that whenever I start talking about mysteries and murder plays and stories, my eyes will get all crazy. And my smile turns kinda creepy too. The video is below, but first, props to the cast. (Oh and I have tinkered a bit with the script, so that the show will have a different ending depending on which night you see it.)
This show has been fantastic fun to work on, a true ensemble cast of talented players who, like me, enjoy the screams and the chills that go with this show. So let me tell you some about them and their characters, who are all liars and have all been accused of murder as the story unfolds -- Eric McDowell and Tana McClain play Mr. and Mrs. Rogers, servants who have been hired to take care of the arriving guests. He is rather milk toasty and she is rather rude and their fate is not pleasant. John Carpenter plays the cavalier mercenary Phillip Lombard, and John and I have been friends for decades. We make jokes and references to pop culture so old, that Autumn Leming, who plays the young secretary Vera Claythorne, said at rehearsal recently, "Oh, you old people and your words!"
Newcomer to the Guild is Larry Glover, who plays the mostly dim-witted and devious Mr. Davis/William Blore, and he cracks jokes backstage constantly. Kylian Andrew has the choice role of the spoiled, preppy Anthony Marston (he's also the youngest member of the cast and I also directed him in a production of "Alice In Wonderland", where he performed a perfect Mad Hatter. In fact, Tana played the Red Queen and Autumn was Alice - they are a very talented young trio.)
Hobart Smith plays the addled and nearly ancient General MacKenzie, and he is always such fun to work with. He reminded me recently our first show together was when he played a sloppy drunk "children's story hour reader" for a fake live radio show titled "Laughing Buddha Holistic Radio Show" and his slurred reading of "Winnie The Pooh" was hilarious. Mitzi Price-Akins plays the ultra-conservativc Emily Brent, who is rather like a furious modern American conservative denouncing all things. She's a bona fide force of nature onstage.
Dale Stanton plays the high-strung and nervous Dr. Armstrong. Dale and I last worked together on "On Golden Pond" when he played Norman Thayer. He is sly and funny and works relentlessly as an actor. Doug Knight plays the boat captain, Narracott, and though it is a small part, he makes it most memorable and funny. And he agreed to do the show even though he is a newlywed of less than a month. I play the role of Sir Lawrence Wargrave (what a great name!), a judge who enjoys ordering everyone about. (typecasting?) Olivia Fee is the stage manager for this show.
And mention too must be made for my longtime friend David Horton, who is the technical director for the show, and is the most talented and creative man I know. He played the role of Lombard when the Guild last performed this play, back in 1983, and he has been a brilliant adviser on this show. He and I have worked together co-writing spooky plays and murder mysteries for many years. David travels the world and the U.S. as a professional entertainment consultant and he does astonishing things on a regular basis. Thanks, DH.
Performances for this show are Nov 11-20 at Rose Center, with Friday and Saturday shows at 8 pm, Sunday matinees at 2 pm. Also, a special opening night reception will be held just prior to the show at 7 pm on Friday Nov. 11 as the Guild presents their line-up of shows for the 2012 season (their 78th year) and to say thanks to everyone who attends and supports the Guild. Tickets are available online at lakewaytickets.com.
And now, here I am, unmasked and with a case of Crazy Eyes, talking about the show. I hope you, dear reader, can attend at least one performance.
There's still one more weekend to visit the 4 Attraction Screampark, Frightmare Manor, in Talbott.
The hauntings and scares will be just as good this weekend as they were during October, so don't miss this weekend. I'll bet you still have some Halloween candy and pumpkins on the porch, so Frightmare will fit right into your lifestyle.
"Some lawmakers wonder if members of Congress have even single-digit
approval from the public. 'I’d like to meet the 6 percent who approve of
Congress,' said Representative Jeff Flake, Republican of Arizona, who
has often voted in ways that help hold up legislation, because he is
seeking deep cuts in spending. 'I just don’t know who they are'.” (via)
Hold Up legislation, that's probably the best description of the witless behavior in Congress.
"Tom was one of radio's great clowns," he said. "He was serious about
silliness and worked hard to get a moo exactly right and the cluck too
and the woof. His whinny was amazing -- noble, vulnerable, articulate.
He did bagpipes, helicopters, mortars, common drunks, caribou (and
elands and elk and wapiti), garbage trucks backing up, handsaws and
hammers, and a beautiful vocalization of a man falling from a great
height into piranha-infested waters.
"Whenever Keith came onstage for a sketch, Keillor said, the audience watched intently.
'They could hear me but they wanted
to see Tom, same as you'd watch any magician," he said. "Boys watched
him closely to see how he did the shotgun volleys, the singing walrus,
the siren, the helicopter, the water drips."
A Tennessee judge says there was no cause to arrest protesters at the Occupy Nashville protests, releasing all those that Gov. Bill Haslam ordered arrested. This Halloween weekend's pointless repression of free speech should haunt the governor.
Are we just supposed to be grateful that - so far - no one has been injured in Nashville? Are we supposed to be grateful the right to free speech is only being discarded for just a few people?
R. Neal: After
declaring a curfew at Legislative Plaza last night, Gov. Haslam has sent
THP state troopers with a SWAT team to clear the area. An Occupy
Nashville livestream report from the scene says approx. 100 officers
began arresting a small group of peaceful demonstrators at around 4AM
(3AM Nashville time).
Betsy Phillips: Setting
time limits and monetary requirements on when people are allowed to
gather on taxpayer-funded state property to exercise their first
amendment right to peaceably assemble and petition the government for a
redress of grievances is unconstitutional.
Also from Betsy: But please, notice that the Governor is afraid of fifty people. Other
Occupies have hundreds, sometimes thousands, of people. And our
governor has to sneak up on fifty people in the dead of night. But what’s worse than sneaking up on fifty people in the middle of
the night is stripping everyone in the state of their constitutional
right to peaceably assemble. That hurts everyone.
This weekend marks the 36th Annual Mountain Makins Festival at Rose Center in Morristown, a celebration of Appalachian folk life, history, art, handmade crafts and displays of skill, music, dancing, food and much more. And I will again be the emcee for one of the stages of live music.
I'll be the host for the Gazebo Stage, sponsored by ORNL Federal Credit Union. Here's a lineup of the music - and this year will mark a first: Russian Bluegrass music.
FIRST
TENNESSEE STAGE 10AM:
Tracy Wilson- Scottish Highland Bagpipes
10-11:
The Red Wellies- Celtic
11-12:
The Grassabillies- Rockabilly
12-1:
Steve Brown and Hurricane Ridge – Bluegrass
1-2:
Rough Edges- Bluegrass
2-3:
Hot Mountain Caravan
3-4:
Roan Mountain Hilltoppers – Old Time
4-5:
The Grass Pistols- Russian Bluegrass
ORNL
GAZEBO STAGE 10:15:
Tracy Wilson- Scottish Highland Bagpipes
10:30-11:30: Steve
Brown and Hurricane Ridge- Bluegrass
11:30-12:30: The
Red Wellies – Celtic
12:30- 1:30
The Grassabillies – Rockabilly
1:30-2:30:
Roan Mountain Hilltoppers- Old Time
2:30- 3:30:
Grass Pistols – Russian Bluegrass
3:30-4:30:
Rough Edges- Bluegrass
4:30-5:00:
Hot Mountain Caravan- Americana/Folk/Roots
SUNDAY,
OCTOBER 30 FIRST TENNESSEE STAGE
11-12:
The Dulcimer Guys- Hammer and Mountain Dulcimers
12-1:
Earl and Pearl- Old-Time
1-2:
Harmony Strings- Traditional Country and Gospel
2-3:
Hall Family and Friends- Traditional ‘Shape-note’
Singing
3-4:
The Dulcimer Guys- Hammer and Mountain Dulcimers
4-5:
Clinch Valley Bluegrass- Bluegrass
ORNL
GAZEBO STAGE 11:30-12:30
The Katts - Americana
12:30-1:30
The Dulcimer Guys- Hammer and Mountain Dulcimers
1:30-2:30
Earl and Pearl- Old Time
2:30-3:30
Clinch Valley Bluegrass- Bluegrass
3:30-4:30
Harmony Strings- Country and Gospel
4:30-5:00
The Dulcimer Guys- Hammer and Mountain Dulcimers
Prior to opening of Frightmare Manor in Talbott this year, a team of paranormal researchers took their team through the old house on the property. This team is from the area, and I spoke with them about what happened when they got into the house - they asked not to be identified, as they prefer to do their work without much fanfare or attention.
"There's a lot of activity in that old house," one team member told me. "The K-2 meter was off the scale all through the building." A K-2 is an electromagnetic field detector most ghost-hunters use.
"In almost no time, we made contact with 2 young girls," he said. And again, for privacy reasons, they asked me not to give too many details, as the team is still planning more investigations and they are trying not to gain notoriety as much as they are interested in learning all they can first. The team did learn the names of the girls, and their presence was quite powerful, they said.
Whether or not these girls are connected to the stories of Jeremiah Lexer, the mysterious owner of the property who committed some heinous crimes before taking his own life, is being investigated too. Lexer's tale was mentioned in this previous post. What is for certain is how intense that night investigating the house became for the team. Their faces and voices were greatly strained and it was obvious the experience left it's mark on them.
It's no surprise that for the second year in a row, Frightmare Manor has been voted the best haunted attraction in East Tennessee in a poll from WBIR-TV.
Already a banner year here at the house when it comes to all things Horror for Halloween 2011, I've more great news to share - this weekend my friend Clint Keller picked up the award for the best grindhouse-style trailer at the Knoxville Horror Fest Grindhouse Grind-Out for his epic tale of a maniac mechanic, called, naturally "Mechaniac". And the Best Actor award went to my roommate and semi-adopted brother (or did he adopt me?) Timothy Mooney.
Tim effortlessly portrays a crazed killer mechanic who does not like it when folks don't take care of their cars. He's not about being Green, but he will make a deep red bloody mess out of you. Heh heh.
Ah, but enough talk - here's the grainy, film-scarred trailer of what has to be the best grindhouse movie you never saw!
As best I can tell by employing research via the GoogleMachine, the tradition of tramping out into the chilly evenings around Halloween while masking one's identity and seeking candy delights or other treats is relatively new - the late 1930s and early 1940s.
Expectations today assert that some $2 billion will be spent for candy alone on Halloween. And that:
"... an average Jack-O-Lantern bucket carries about 250 pieces of candy
amounting about 9,000 calories and about three pounds of sugar."
Halloween historians of television's History Channel say folks began begging for and receiving "soul cakes" for a promise to pray for dead relatives during England's All Souls Day parades and that donning costumes was based in the idea that one should wear a disguise so that roaming ghosts could not find you. "Soul cakes" sound far more interesting than they actually are.
Today, Halloween treats and foods can be deeply weird - I for one am still oddly fascinated with the Halloween Meat Hand. Meat and ghoulish imagination have also brought us the Halloween Meat Head. Make it cream cheese or jello for "glue" and slather meat around a skull. (none for me, thanks)
Also, Candy Blood, you know, for kids:
Around my home, I have noticed in the last few years that the neighborhood kids seem a little ... different ... and they want bacon.
I sat down with Chris Wooden, the creator behind Frightmare Manor, now open for their third year in Talbott, smack on the border of Jefferson and Hamblen counties, to see if we could get some more details about what audiences can expect if they dare take the journey through all four stages of frights and chills offered at this "screampark". I can tell you that the pure enthusiasm from Chris and his crew of Frightmare Fiends is enormous. As they have said before, for them, running Frightmare Manor is like Christmas for them.Their delight is indeed much like a wide-eyed child on Christmas morning - except of course, the child here is rather demented and deeply devoted to making you shriek out loud many times, no matter what your age. So Chris, tell us a little about the planning that goes into this huge event. Do you have a regular team of creators involved?
"Planning for Frightmare Manor is truly a year
round event. Our managers and actors keep in touch throughout the year and brainstorm new and creative ways to torment our victims. This event is in our blood and is something we enjoy working on year round. Once our plans are set, the redesign and renovation work usually begins late April."
Tell us what a visitor can expect from the four different attractions at Frightmare?
"Each attraction for 2011 is designed to be a
completely different experience for our victims. We offer 3 unique haunted attractions at 1 location, plus the Frightmare Challenge - each mesmerizing in their own way. Whether it be through high-tech animatronics and Hollywood
DMX Lighting, or old fashioned blood and chainsaws, we attack ALL 5 senses when someone steps foot onto this old plantation. We invest more and more money every year to give our victims a terrifying experience, that they want to experience year after year. We guarantee new and innovative haunts every year!
"New for 2011, we have a 1 of a kind, custom,
entry piece that, by now, everyone has noticed when they drive past our property. Victims must enter into Frightmare Carnivore through this enormous Beast Facade Piece. There is not another example of this creation in the world. It was the Entry Piece to one of the largest haunted attractions in the U.S. for many years, until it's relocation to Frightmare Manor. This is only 1 example of how we will go the extra mile, traveling the U.S., to provide our customers with the Ultimate Haunted Experience. When customers come to Frightmare Manor, they will be seeing the fruits of not only our hard work, but the evidence of the vast industry connections we have, which allows us to bring the BEST props and scare-tactics to the Knoxville, TN area seen ANYWHERE in the U.S.!"
What can you tell us about the tales of a serial killer on this property?
"Jeremiah Lexer was the original property owner
of this entire plantation around the turn of the 18th century. The past 2 years we have focused on more recent, controversial events surrounding the 2001 closing of the
successful restaurant on this property. Over the past year, we have dug into the record books and unearthed a lot of forgotten (or hidden) information about Jeremiah Lexer and his original homestead. We believe Haunted House customers want to experience TRUE TERROR. Because of this, Frightmare Manor will remain at the old Jeremiah Lexer Plantation. We will continue to learn and share with our customers the evidence over the next few years."
This must take a lot of work from performers and tech crews - about how many people are involved? "Many Haunted Attractions choose to use volunteers to staff their event. Frightmare Manor is proud to employ close to 80 staff seasonally. Most of our actors tell us it's an experience they would do for free, but we believe our actors truly appreciate the payment and we feel they absolutely deserve it! Working at Frightmare Manor is a unique experience and we have hundreds of applications per year. Providing seasonal employment to our community is truly a joy for us. It's a true Win-Win!"
I can verify for you, dear reader, since I worked at Frightmare last year, that everyone involved works very, very hard to make your experience unforgettable and uncanny. Don't miss it!
I've said it before many time - I like Halloween scares and events so much I frighten even myself. And that means it's time to share a unique fear-filled thrill being presented in Knoxville at Relix Variety Theatre on Thursday and Friday nights by The Wild Thyme Players.
Titled "The Ghastly Gala of the Grand Guignol", the show draws from the legendary productions of melodrama and mayhem of live shows in Paris in the late 19th century, shows which dared to shock, scare, and amaze audiences with theatrical madness. As the Wild Thyme Players explain on their website:
"The Theâtre du Grand Guignol,
located in the bohemian Montmartre district of Paris in the late 19th
century, was famous for its mystery and horror plays. These performances
later inspired works by Alfred Hitchcock, Stephen King and Quentin
Tarantino. Project Director Courtney Woolard says, “Grand Guignol
was innovative and provocative theatre for its’ time, and remains
relevant today as the basis for many of the modern horror films we love
to scare ourselves with.”
Woolard explains that Grand Guignol
translates into “puppet master,” and the performances are designed to
manipulate the audience’s emotions with a “hot and cold shower” of
horror, eroticism and comedy."
How about a little more enticement? Thursday's show is only 10 dollars, Friday is 15 dollars, so attend one or both and be prepared to wade deep into the disturbing world of the Grand Guignol. This show does include a parental warning -- Due to the adult nature of this show, parental discretion is advised. For more information call (865)325-9877
Halloween seems the most appropriate time to release a new album from iconic actor William Shatner. It's called Seeking Major Tom and includes an also appropriate line-up of iconic musicians - Zakk Wylde, Deep Purple's Ritchie Blackmore & Ian Paice, The
Strokes' Nick Valensi, Scorpions' Michael Schenker, country star Brad
Paisley, funk legend Bootsy Collins, '70s rock god Peter Frampton,
folkster Sheryl Crow, Tangerine Dream founder Edgar Froese, The Kinks'
Dave Davies, and Yes guitarist Steve Howe
I've often had the misfortune to hear the bizarre rants and twisted fabrications which flows like a broken sewage pipe from talk show host Rush Limbaugh. Late last week, his idiocy and lust for attention brought him to claim that President Obama was attacking Christians in Uganda. Not only is that a lie, horrible enough, he also sided with the group known as the Lord's Resistance Army and read their propaganda on his program.
Oddly, for a change, his despicable comments have been rebuked by officials and average folks from all corners. However, a survivor of the unimaginable brutalities of the LRA, named Evelyn Apoko, abducted at age nine and forced into a life of endless terrors, filmed a calm, compassionate reply to him. Now at the age 22, she has begun traveling into the West to encourage support for ending what can only be called a war on children.
Here is her video response to Mr. Limbaugh, evidence of a courage and an honesty and compassion arrived at with an enormous cost - something Limbaugh is utterly incapable of understanding.
Late last year, The Hill published a vivid account of her ordeal, just one example of the hundreds of thousands of children and adults being butchered by the LRA. Her survival is a miracle. That she now seeks to aid those still left in grip of such endless nightmares come to life is testament to her courage and humanity.
This event is yet another example of how deeply deceptive lies and hateful tactics are the norm for Limbaugh. How anyone can listen to his show more than once or twice and not emerge with a realization his words are slimy and ugly distortions of reality, made in hopes of collecting fame and wealth, is beyond me.
Shame is but the smallest hallmark of Limbaugh and his followers.
".... you don't know much, do you ... on this night, the barriers would be down, you see, between the real and the unreal, and the dead might be looking in..."
Chilly nights, shadowy forms shambling through the darkness, screams echoing across the rolling hills of East Tennessee - and the return of Frightmare Manor in Talbott, right on the border of Jefferson City and Morristown.
I worked there last year and had a real blast scaring folks silly, and owner Chris Wooden has gathered another horde of horrible things to scare you silly for 2011. Student night is this week, Oct. 20th, and with a student I.D. you can get a $2 discount off admission. Also on Oct. 30th at 2 pm it's Kid's Day - and it's free, people. And kids can meet some of the cast members too.
The Screampark (I love that!) is open Oct. 20th from 7 til 10 pm, Oct 21 and 22 from 7 til 1 am, Oct. 27 from 7 til 10, Oct 28 and 29 from 7 til 1 am, Oct 30 and 31 from 7 til midnight, and Nov 4 and 5 from 7 til midnight.
A pair of recent editorials tries to crack the code to answer a "what does it mean?" aimed at the Occupy Wall Street and other spreading protests nationally and globally. But I'm not sure really that there is a code to crack.
Bernard Harcourt writes an editorial for the NYTimes that OWS is designed to be "political disobedience" - a rejection of the current state of American ideological political divisions, goals, and practices. "Ultimately, what matters to the politically disobedient is the kind of society we live in, not a handful of policy demands." Perhaps he is right.
From my perspective, the Tea Party folks and the OWS are both expressions of the same deep dissatisfaction with American politics. Serious efforts to provide economic policies, devise solutions to complex global problems and limit the influences of corporate cash support are truly absent in today's political world. And none in charge seem to want to alter the current status in any way, instead doubling-down for more of the same, which leads to less than nothing and nowhere. Those in government, local and national, do not understand any of their failings and remain focused on one goal - election and re-election. Tragedy is poised for performance.
Sadly, as noted by Seiler, the overall effect looks far too much like the chaos of a society overrun by endless, mindless hordes of consuming monsters. The survivors want two things - survival and a way to reinstall some normalcy - but none have all the answers. Make your best guess, try and endure, and try to maintain some kind of human community.
At this point, as in most zombie movies, all I can say is "good luck with that".
As always, Halloween brings the Night of the Living Cup of Joe Powell.
And I'm also directing the spooky, thriller production of a world classic of mystery and mayhem for the Morristown Theatre Guild -- Agatha Christie's "And Then There Were None" - which runs Nov. 11-20th at Rose Center in Morristown. The show is her script, based on her novel, which is the number one best-selling mystery novel ever published.
10 people are stranded on an island estate off the coast of England, trapped there by a diabolical killer, and none is likely to survive. Adding to the madness - each of the 10 guests are themselves accused of murder. We are performing the show 'in the round' so that the audience will experience the show as if they are in the isolated estate themselves.
In coming days I'll have some new pics about this newest production, and the cast for this edition is Eric McDowell, Tana McClain, Kylian Andrew, Autumn Leming, John Carpenter, Larry Glover, Mitzi Akins, Hobart Smith, Dale Stanton, myself and the stage manager is Olivia Fee.
I will share one more thing about this show - as in the 1983 version, we too are tweaking the story so that the ending will be different depending on which night you see the show.
I do love a good mystery and this one is the mother of them all!
Elected and appointed officials in the state's capital city say it's because of budget cuts, which won't take effect until 2012. The city did not vote to repeal other misdemeanor crimes - shoplifting is still a crime, for instance.
D.A. Chad Taylor publicly announced his decision not to prosecute domestic violence due to county budget cuts, and the city feared it might have to pay for the court and jail costs, and by repealing the law, they say it is still against a state law - so everything is still jes' fine.
For residents of Topeka, a lesson is presented - crimes of violence won't be prosecuted unless money changes hands.
County officials have so far refused to increase any tax rates to insure crimes are prosecuted. Another ten cents on the property tax rate, for instance, is too high a price for public safety.
And so idiocy and pathetic leadership in one Kansas county has created public policy which will likely lead to third world physical brutality. Classy.
Press credentials apparently are no longer valid on Wall Street unless police issue them.
"John Farley, a reporter with WNET/Thirteen’s MetroFocus, was standing
on the sidewalk interviewing two women who had been pepper sprayed
during the Occupy Wall Street protest when it happened to him.
For Natasha Lennard, a freelancer for The New York Times’s City Blog, it happened as she live-tweeted events while walking alongside the crowd of protestors “taking” the Brooklyn Bridge.
And for Alternet freelancer Kristen Gwynne, who was among the bridge crowd, it happened while she was talking with protest participants.
---
"The New York Press Club unequivocally supports the right of legitimate
working journalists, credentialed by NYPD or not, to freely report on
events and issues of interest and value to the public without fear of
arrest, detention or prosecution. A free press is a fundamental American
principle. Upholding that principle is a core mission of the New York
Press Club."
A brief look at
some images and descriptions of the Occupy Wall Street protests -
solidarity with these protests are taking place in towns and cities all
over America. (Be sure to readthis report from Knoxville's event.)
I had and have numerous items I'd like to include in this milestone, however I have some rather disconcerting medical woes at present and so good sentences are not easily obtained. Perhaps I am merely feeling the burdens of age and time, yet I despise not having the abilities I normally have - And rather than sit quiet, I decided to offer this humble post.
And I also write to express my endless thanks to all the readers from around the world who have stopped by at least once to explore a Cup of Joe. So thank you.
If you have found some value in one or ten or a hundred of the 2000 posts offered here, I am flattered and grateful. I know I have at least another 2000 to share, and likely much more.
However today is for healing up, resting and giving thanks.
A few years back America began a National Coffee Day, which is today, and a few places (like Krispy Kreme) offer free cups of coffee today. Of course, this very Cup of Joe you are reading is ALWAYS FREE (if you have internet access).
There's some old folklore which claims coffee beans eaten by goats clued in some Ethiopian goatherds to the magical bean, but more likely the bean wasn't really noted by anyone until around the 15th century at Sufi monasteries in Yemen. For some time, European Christians labeled it a "Muslim drink" but Pope Clement VIII deemed it a "Christian drink" in 1600. (More history here.)
A more recent theory has arisen that the development of coffee houses in Europe gave rise to the French and American Revolutions, and more, such as the modern business model, since both Lloyd's of London and the London Stock Exchange began first as coffeehouses - more on this theory in this video:
For me, and hopefully for you, a daily dose of a good cup of coffee is the foundation of civilized life.
Call us/them Nerds, pop culture junkies, geeks, dorks, obsessive fans, or anything you wish - it does not stop them. I for one consider the first video below a bit of proof that folks in Manhattan are pretty cool - witness this year's annual Lightsaber Battle held in Washington Square Park.
Kids and adults join for a bit of silly White People behavior, abandon all worries of the world and I'm pretty sure only Americans would do this.
Nerd Alert Number Two:
What happens when the new Looney Tunes TV show takes the slobbering Daffy Duck, turns him into a wizard, complete with an elfish harem and a heavy metal theme song? (Again, more silly White People fun, but as a Nerd, I like it jes' fine, thanks.)
"Demand for helium in Afghanistan has shot up, from 49,000 cubic meters to fiscal year 2009 to an estimated 531,000 cubic meters this year.
"Getting mega-blimps to landlocked Afghanistan is no cakewalk. Once filled, these spy blimps can’t be deflated at the risk of messing up their flight control surfaces. This means that helium either needs to be flown to a base where the blimps have to be filled up, or they have to be inflated in the U.S. and then shipped over to Afghanistan in a giant container." Here at home, party stores are pondering the day when the planet has no more helium for balloons or all the other industries that need it:
"Like oil and coal, helium is a limited natural resource, and as the supply dwindles, cost rises. "It's been like a 20 percent increase in helium but like gas prices as well, everything else has to go up," Berardi said.
"Did you know that MRI scanners use helium to cool magnetic imaging? Nuclear reactors and liquid-fuel rockets also use helium. And this natural gas detects leaks in vacuum systems."
Certain Tennesseans will have a tougher time voting next year, thanks to a Big Government push from state Republicans (and their out-of-state lobbyists like ALEC).
Via Knox Views, State Senator Roy Herron writes that his mother is one person among many who will have to pay to get the ID the state now demands, but only half the state's counties provide a way to get the necessary ID:
"Only 43 of Tennessee’s 95 counties have such centers. Half the counties in West Tennessee, and two-thirds of the counties in my state Senate district, don’t have them. Some of the rural Tennesseans I represent will have to drive from their county through a second county and into a third to reach the closest driver’s license center — a trip of 40 to 60 miles each way. Taking a day off work and with gas averaging $3.58 a gallon, even at minimum wage the expense of travel and lost wages will cost people perhaps an additional $80 to $100 to exercise their constitutional right to vote.
This cost of this process—in many cases totaling $110 to $135, if not more — is such a burden that for many voters it will amount to disenfranchisement.
My Republican colleagues claim this legislation is necessary to prevent voter fraud, citing a state Senate election in Memphis in 2005 in which votes were recorded from two deceased people. But the fact is that the culprits in that case were dishonest election workers, not voters. Photo ID cards would not solve that problem."
It seems clear the simplest way to create a photo ID for voters would have been to alter the current voter registration card issued by counties to include a photo. That would cost money - so rather than the state fund it, you now have to pay for the changes. (Either way, residents are paying). Even better, require each county's election office to verify applicants who want to register to vote (which they already do).
There is no proof voting fraud is widespread. Supporters of the new ID say that lack of proof is itself suspicious. The end result of this change seems clear - many voters, already discouraged in participating in voting, have now another reason to sit out the next election.
Human folk have created amazing dances for thousands of years which can express so much with movement and music. Below, one man dances (in ways I cannot begin to explain) to a hit song from this year - and (as if i needed proof) it reinforces the simple truth that I cannot dance. He goes by the name Nonstop and has been working on his dance moves for 17 years. Impressive. (You should click on the video to watch in fullscreen mode.)
It's nearly impossible to find a unique movie at your local multi-plex, which depends on a constant stream of bland predictability, NameBrand stars, special effects and various combinations of such aspects. But I found one last week which slides around all those elements and stands as one of the best mainstream releases this year (though I am sure many who see it will just leave it feeling uncomfortable for reasons un-expressable).
The movie is "Drive", from Danish director Nicholas Winding Refn, and it defies movie conventions while also following them, a rare and brilliant play on the crime thriller (and it's getting top-notch reviews nationwide). Ryan Gosling plays an LA stuntman who also is a getaway driver for hire - a skilled wheelman who barely speaks out loud, yet that enormous restraint creates an enormous tension which, makes the movie a most intense experience. The movie is based on the novel by James Sallis.
His Man With No Name character accidentally engages a very pretty neighbor (played by the beautiful Carey Mulligan) and her young son, and this trio eases into a nearly happy ride, though we know it cannot travel far. Her husband arrives, newly released from jail, but thugs from his criminal past immediately threaten the family and as with many an iconic movie hero from the past, the Driver decides to take action to protect them - it's his only way to express his devotion and concern, an expression soaked in violence.
There is a moment late in the movie when the Driver decides to reveal his desire and he kisses her, a moment of immense tenderness and it is immediately followed by a graphic attack on a villain aiming to hurt her. In his mind, both are expressions of how much he cares for her, and is both touching and terrifying.
The movie has a terrific opening scene, as this movie steers into a sort of homage to movies from the 1980s, complete with a throbbing electronic score. Refn has a solid grasp of American movies, though he never lets go of his European roots. And his visual style here is, as with his other films, is gorgeous and powerful, no wonder he gets comparisons to legendary visual filmmakers like Tarkovsky, Kubrick, Hitchcock and Greenaway. His work on "Drive" earned the Best Director award at the Cannes festival this Spring.
The casting is first rate too - Gosling hides his roaring emotions just at the edges, Bryan Cranston of "Breaking Bad" plays his mentor and friend, a hitch-legged loser who can almost see success, Albert Brooks gets a turn as a vicious mob boss and does it flawlessly, and as I mentioned there's Carey Mulligan. By chance I've seen three of her earlier films this year, and she is a real star in the making. Her big moment will likely be in "The Great Gatsby' as Daisy, out next year - but DO NOT miss her work in "An Education" or "Never Let Me Go".
There's also a wonderful bit where the Driver dons a mask of a "leading man" he has stolen from a movie set - but the mask doesn't really fit and it stands as an excellent metaphor for the film itself.
Refn has been tapped as the director for a "Logan's Run" remake, but his earlier works are must-see movies. I watched his 2009 movie "Valhalla Rising" last week too, and was again mesmerized by his work. The movie is set amid a grim and muddy landscape of Vikings who have begun to see the emerging Christianity movement as a promise of a better life. The main character here too has no name, but is simply called One-Eye (and is played by the very talented Mads Mikkelsen, best known to Americans as Le Chiffre in "Casino Royale"). He plays a slave used for fighting and gambling, is beyond brutal and his captors claim he is from Hell itself. What place does he have in a journey to the Holy Land? The movie is hypnotic and surreal and carefully created.
Refn again depends on setting, camera work, and acting to build a powerful metaphysical story in a brutal world. His other films, "Bronson" and "The Pusher" likewise challenge audiences with stunning storytelling.
"In A Night at the Movies: The Horrors of Stephen King, which premieres on TCM Monday, Oct. 3, at 8 p.m. (ET), Stephen King discusses how he discovered terror at the movie theater. He takes viewers on a journey through many aspects of the horror genre, including vampires, zombies, demons and ghosts. He also examines the fundamental reasons behind moviegoers' incessant craving for being frightened. Along the way, he discusses the movies that have had a real impact on his writing, including Freaks (1932), Cat People (1942), Invasion of the Body Snatchers (1956), Night of the Living Dead (1968) and The Changeling (1980). Good job, TCM!