Monday, May 05, 2014
Attention Knoxville - It's Your Fault
Dear Knoxville voters -
You really, really need to do better in choosing your representatives ... unless maybe you agree with Senator Stacey Campfield that signing up for health care is the same as participating in the Holocaust. The state's Republican Party says his comments are: " ... ignorant and repugnant."
Thank you,
Ashamed Resident
Wednesday, April 30, 2014
Court Probes Smartphones, Crime and Privacy
The tech is way ahead of the law. And the court only has a few months to make a ruling - a ruling which I bet will get amended as laws and precedents start being created.
Via SCOTUSblog, some suggested reading:
Arguments:
"But, as the discussion went on, it seemed that there were two lines that would have to be drawn: one, to define the kind of cellphone contents that were so private that they would be insulated from search; and, second, to define the limits of a search warrant so that the police stayed away from what was private.
The Justices seemed well aware that, even if they somehow were able to craft some Fourth Amendment limitations on searching cellphones, they still would have real difficulty in implementing those limits by telling a magistrate how to write a search warrant to guide the police. “A warrant for what?” Justices Ruth Bader Ginsburg and Antonin Scalia both asked. “What would police have to show [to get a warrant]?” Ginsburg added. 'Although there was a lot of talk about how to figure out what most cellphone users believed should be private among the contents on their devices, there did seem to be a rough consensus that they do believe that, to some hard-to-define degree."
Plain English:
"Going into the oral argument, both California and the federal government told the Court that, whenever police make an arrest, cellphones should be fair game for a search for all of the same reasons that police can search, for example, the arrestee’s wallet without a warrant. But it’s hard to see five Justices voting in support of that rule, given the widespread skepticism that the argument met on the Court. Justice Elena Kagan was one of the most vocal opponents of such a rule, telling California Solicitor General Edward DuMont that, following his logic, an arrest for a minor offense like driving without a seatbelt would allow police to look at every single e-mail on the arrestee’s phone, along with his bank records, medical data, calendar, and GPS data. That, she suggested, “strikes me as a very different kind of world” from looking at someone’s billfold, given that “people carry their entire lives on cellphones.” Justice Antonin Scalia later echoed this idea, calling it “absurd” that police should be able to search someone’s iPhone for that kind of minor offense. Justice Anthony Kennedy, whom many often regard as a key vote on the Court, expressed concerns as well, telling Deputy U.S. Solicitor General Michael Dreeben (who argued on behalf of the federal government in both cases today) that “we are living in a new world,” in which someone arrested for a minor crime has her “whole life on [her] phone” and asking whether Dreeben could suggest some limits on the potentially broad sweep of the government’s rule.
'But even if California and the federal government seem unlikely to win outright, the chances that the Court will require police officers to get a warrant whenever they want to search an arrestee’s phone appear even slimmer.
Tuesday, April 29, 2014
Mr. Tiggles - The New Face of the NSA
We really don't have much choice other than humor to challenge the status quo of constant surveillance. John Oliver interviews Keith Alexander of the NSA, and unveils the cuteification of secret data mining:
Sunday, April 27, 2014
A Prime Selection of Long Reads
The "long read" nature of my writing style and my general slow, sometimes oh-so-slow, process could - to some readers- appear contrary to the popular binary wave patterns digital lifestyle blurring past us and around us. But hang in there kiddo, it's worth it.
So while I apologize for making you wait for a new post, I bring gifts, a prime selection of long reads - first up is an artist using photography and digital tech to create powerful images. Via Medium, their profile of Adam Maygur begins:
"Adam Maygar is a computer geek, a college dropout, a self-taught photographer, a high-tech Rube Goldberg, a world traveler, and a conceptual artist of growing global acclaim. But nobody had ever suggested that he might also be a terrorist until the morning that he descended into the Union Square subway station in New York.
At the time, Magyar was immersed in a long-running techno-art project called Stainless, creating high-resolution images of speeding subway trains and their passengers, using sophisticated software he created and hardware that he retrofitted himself. The scanning technique he developed—combining thousands of pixel-wide slices into a single image—allows him to catch passengers unawares as they hurtle through dark subway tunnels, fixing them in haunting images filled with detail no ordinary camera can capture."
Please oh reader, explore his images on Medium, as my humble but lovable blog cannot convey how fantastic Maygur's work is:
Maygur says at one point: These moments I capture are meaningless, there is no story in them, and if you can catch the core, the essence of being, you capture probably everything." A constant element in the my own writing/pondering about writing is about the nature of Art itself. By which I mean, what prompts the creation and execution? That leads us to an interview with Phillip Roth, the now-retired Phillip Roth, whose the hands down winner of, if not the long read, the long answer to press questions. And his mastery of language is impeccable. Below, Roth gives an assessment of America:
"Very little truthfulness anywhere, antagonism everywhere, so much calculated to disgust, the gigantic hypocrisies, no holding fierce passions at bay, the ordinary viciousness you can see just by pressing the remote, explosive weapons in the hands of creeps, the gloomy tabulation of unspeakable violent events, the unceasing despoliation of the biosphere for profit, surveillance overkill that will come back to haunt us, great concentrations of wealth financing the most undemocratic malevolence around, science illiterates still fighting the Scopes trial 89 years on, economic inequities the size of the Ritz, indebtedness on everyone’s tail, families not knowing how bad things can get, money being squeezed out of every last thing — that frenzy — and (by no means new) government hardly by the people through representative democracy but rather by the great financial interests, the old American plutocracy worse than ever. You have 300 million people on a continent 3,000 miles wide doing the best they can with their inexhaustible troubles. We are witnessing a new and benign admixture of races on a scale unknown since the malignancy of slavery. I could go on and on. It’s hard not to feel close to existence here. This is not some quiet little corner of the world."
I was deeply grateful to discover a 1999 essay om Stanley Kubrick's "Eyes Wide Shut" by Tim Kreider - grateful because it was a brilliant piece about why EWS is great and critics of the day so very wrong. Ignoring all of Kubrick's previous work is idiotic as he was likely the most thoughtful composer of film images ever to wield a movie camera. I too read the movie as a scathing critique of greed and corrupt depravity at the cusp of the 21st century, especially among the mega wealthy, and a critique of those who see themselves as above such lowdown behavior. At heart, their is a murder mystery in the movie and the resolution so typically Kubrickian - intriguing spaces for audiences to ponder on meanings and conclusions:
"The open-ended narrative forces us to ask ourselves what we’re really seeing; is Eyes Wide Shut a movie about marriage, sex, and jealousy, or about money, whores, and murder? Before you make up your own mind, consider this: has there ever been even one Stanley Kubrick film in which someone didn't get killed?"
Let's follow the questions about creating home to Tennessee, or at least the South. Located on the Tennessee River, the music recorded in the wee studios of Muscle Shoals are the very foundations of rock and roll and soul music. The 2013 documentary "Muscle Shoals" has been airing on PBS recently and its a solid 2 hours of artistic collaborations that made history,
Yes, I know, a movie is not a read. How about reading movies? Would that work? Actors in Hollywood have been staging live readings of movies, most recently the notorious script for Quentin Tarantino's western The Hateful Eight" - notorious because it got leaked online, which pissed him off so much he decided to not make the movie and sued Gawker for linking to the script. But actors are doing more scripts with all new casts:
"We started with The Breakfast Club," says Elvis Mitchell, the former New York Times critic who now curates film at LACMA. ... Imagine The Graduate without Dustin Hoffman or Anne Bancroft. Now imagine those roles being filled by Jay Baruchel and Sharon Stone (that was April's other live read), all in a stripped-down environment with the actors sitting in a row at a table facing the crowd, with their character names on a card in front of them, like the US supreme court in session. The approach has produced some happy moments of inspired casting, such as Paul Rudd and Mindy Kaling in The Princess Bride, Seth Rogen as The Big Lebowski, The Usual Suspects with Dexter's Michael C Hall, and the pilot episode of Breaking Bad, which was vigorously rejigged with Rainn Wilson as Walter White and Mae Whitman an absolute riot as Jesse Pinkman (Bryan Cranston and Aaron Paul were among those cheering from the stalls). Other productions have included Ghostbusters, with Rogen, Jack Black and more Rainn Wilson, and a Boogie Nights do-over that was especially well received, with Taylor Lautner as Dirk Diggler and Don Johnson in Burt Reynolds' porn-impresario role."
So while I apologize for making you wait for a new post, I bring gifts, a prime selection of long reads - first up is an artist using photography and digital tech to create powerful images. Via Medium, their profile of Adam Maygur begins:
"Adam Maygar is a computer geek, a college dropout, a self-taught photographer, a high-tech Rube Goldberg, a world traveler, and a conceptual artist of growing global acclaim. But nobody had ever suggested that he might also be a terrorist until the morning that he descended into the Union Square subway station in New York.
At the time, Magyar was immersed in a long-running techno-art project called Stainless, creating high-resolution images of speeding subway trains and their passengers, using sophisticated software he created and hardware that he retrofitted himself. The scanning technique he developed—combining thousands of pixel-wide slices into a single image—allows him to catch passengers unawares as they hurtle through dark subway tunnels, fixing them in haunting images filled with detail no ordinary camera can capture."
Please oh reader, explore his images on Medium, as my humble but lovable blog cannot convey how fantastic Maygur's work is:
Maygur says at one point: These moments I capture are meaningless, there is no story in them, and if you can catch the core, the essence of being, you capture probably everything." A constant element in the my own writing/pondering about writing is about the nature of Art itself. By which I mean, what prompts the creation and execution? That leads us to an interview with Phillip Roth, the now-retired Phillip Roth, whose the hands down winner of, if not the long read, the long answer to press questions. And his mastery of language is impeccable. Below, Roth gives an assessment of America:
"Very little truthfulness anywhere, antagonism everywhere, so much calculated to disgust, the gigantic hypocrisies, no holding fierce passions at bay, the ordinary viciousness you can see just by pressing the remote, explosive weapons in the hands of creeps, the gloomy tabulation of unspeakable violent events, the unceasing despoliation of the biosphere for profit, surveillance overkill that will come back to haunt us, great concentrations of wealth financing the most undemocratic malevolence around, science illiterates still fighting the Scopes trial 89 years on, economic inequities the size of the Ritz, indebtedness on everyone’s tail, families not knowing how bad things can get, money being squeezed out of every last thing — that frenzy — and (by no means new) government hardly by the people through representative democracy but rather by the great financial interests, the old American plutocracy worse than ever. You have 300 million people on a continent 3,000 miles wide doing the best they can with their inexhaustible troubles. We are witnessing a new and benign admixture of races on a scale unknown since the malignancy of slavery. I could go on and on. It’s hard not to feel close to existence here. This is not some quiet little corner of the world."
I was deeply grateful to discover a 1999 essay om Stanley Kubrick's "Eyes Wide Shut" by Tim Kreider - grateful because it was a brilliant piece about why EWS is great and critics of the day so very wrong. Ignoring all of Kubrick's previous work is idiotic as he was likely the most thoughtful composer of film images ever to wield a movie camera. I too read the movie as a scathing critique of greed and corrupt depravity at the cusp of the 21st century, especially among the mega wealthy, and a critique of those who see themselves as above such lowdown behavior. At heart, their is a murder mystery in the movie and the resolution so typically Kubrickian - intriguing spaces for audiences to ponder on meanings and conclusions:
"The open-ended narrative forces us to ask ourselves what we’re really seeing; is Eyes Wide Shut a movie about marriage, sex, and jealousy, or about money, whores, and murder? Before you make up your own mind, consider this: has there ever been even one Stanley Kubrick film in which someone didn't get killed?"
Let's follow the questions about creating home to Tennessee, or at least the South. Located on the Tennessee River, the music recorded in the wee studios of Muscle Shoals are the very foundations of rock and roll and soul music. The 2013 documentary "Muscle Shoals" has been airing on PBS recently and its a solid 2 hours of artistic collaborations that made history,
"We started with The Breakfast Club," says Elvis Mitchell, the former New York Times critic who now curates film at LACMA. ... Imagine The Graduate without Dustin Hoffman or Anne Bancroft. Now imagine those roles being filled by Jay Baruchel and Sharon Stone (that was April's other live read), all in a stripped-down environment with the actors sitting in a row at a table facing the crowd, with their character names on a card in front of them, like the US supreme court in session. The approach has produced some happy moments of inspired casting, such as Paul Rudd and Mindy Kaling in The Princess Bride, Seth Rogen as The Big Lebowski, The Usual Suspects with Dexter's Michael C Hall, and the pilot episode of Breaking Bad, which was vigorously rejigged with Rainn Wilson as Walter White and Mae Whitman an absolute riot as Jesse Pinkman (Bryan Cranston and Aaron Paul were among those cheering from the stalls). Other productions have included Ghostbusters, with Rogen, Jack Black and more Rainn Wilson, and a Boogie Nights do-over that was especially well received, with Taylor Lautner as Dirk Diggler and Don Johnson in Burt Reynolds' porn-impresario role."
Labels:
art,
history,
Kubrick,
movies,
Muscle Shoals,
music,
Phillip Roth,
Tarantino,
writers
Thursday, April 17, 2014
The CIA, Howard Hughes, and the Secret Soviet Sub Salvage
Recent releases of once secret files reveal the details of a 6-year CIA effort to salvage a Soviet submarine dubbed Project Azorian.
It's a heck of a story, and notable too for the formal non-answer reply to questions about policies and programs - "We can neither confirm or deny ..."
"Ultimately, the engineers opted for a plan that sounded like it was lifted from the plot of a James Bond film (actually, it did become the plot of a James Bond film). The plan involved three vessels: 1) An enormous recovery ship with an internal chamber and fitted with a bottom that could open and close. This ship would use a docking leg system that would, in effect, turn it into a stable platform for using a lifting pipe to raise and lower a 2)"capture vehicle" fitted with a grabbing mechanism that would be designed to align with the hull of the sub. The capture vehicle would be secretly assembled on a 3) massive barge with a retractable roof. The barge would be submersible, so that it could slip beneath the ocean, under the recovery ship, open its roof and deliver the capture vehicle — all the while remaining hidden from any potential reconnaissance."
Thursday, April 10, 2014
Heartbleed: The Hack Catastrophe
The news that most websites were hit with a security hack made headlines this week, and there's a couple of layers of bad to report. Not only has the hack been running for years, repairs to patch the hole likely won't help.
I'll let the folks at MIT lay it out:
"A security bug uncovered this week affects an estimated two-thirds of websites and has Internet users scrambling to understand the problem and update their online passwords. But many systems vulnerable to the flaw are out of public view and are unlikely to get fixed.
"OpenSSL, in which the bug, known as Heartbleed, was found, is widely used in software that connects devices in homes, offices, and industrial settings to the Internet. The Heartbleed flaw could live on for years in devices like networking hardware, home automation systems, and even critical industrial-control systems, because they are infrequently updated.
"Cable boxes and home Internet routers are just two of the major classes of devices likely to be affected, says Lieberman. “ISPs now have millions of these devices with this bug in them,” he says."
And, like others, I have to wonder if this security hack originated in operations via national spying agencies. It surely appears the spies were using the bug.
Knox blogger Glenn Reynolds recently suggested 5 changes to privacy laws the nation should adopt. But it seems too little too late.
If the MIT gang is right, protecting your info may be forever elusive.
Saturday, April 05, 2014
Memphis is Happy - Will The Rest of Tennessee Join In?
And recently it's hit Memphis - what about the rest of Tennessee?
Happy reported previously.
Wednesday, April 02, 2014
Tennessee Goes Goodfellas?
It surely does sound like a $300 million Goodfellas kind of move:
"Nice auto plant you got here, Volkswagen. Shame if anyone were to unionize it."
----
"But we also obtained emails that show that Senator Corker’s chief of staff was in direct contact with anti-union organizers who were brought in to fight the UAW. He then shared those emails with people in the Haslam administration who were in charge of the incentives."
Is Gov. Haslam the new Gov. Christie? Or are Haslam and Corker just a couple of Goodfellas?
Friday, March 28, 2014
The Movie You Are Too Scared To See
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| Ridley Scott and Cameron Diaz |
More than once filmmaker Ridley Scott has defied Hollywood and audience expectations by bringing an unusual writer's work to the screen - Joseph Conrad ("The Duellists"), Phillip K. Dick ("Blade Runner") - and his film of writer Cormac McCarthy's first screenplay, "The Counselor", confounded critics and some audiences. But the film distills the grim and rare voice of McCarthy's take on crime, which isn't about car chases and wisecracking buddy cops. It's a world with no heroes, no redemption.
McCarthy's story rolls out in the brutal world of drug trafficking, cartels and the barren borderlands. The cartels alone make the gangsters of American legend look like Boy Scouts. In this tale, a would-be drug deal goes bad and the cost is beyond horrifying. It's a predatory world, relentless and without morality.
It's daring, this descent into the darkness. It offers a femme fatale (Cameron Diaz) who devours everyone with pure ferocity. And perhaps it is much too honest - the viewer is without a safe haven, and most movies today just don't go there or close to there.
Scott had been trying to develop McCarthy's very dark Western novel, "Blood Meridian", into a film but Hollywood couldn't handle it - he says "It would have been rated double-X. It’s Hieronymus Bosch, the way McCarthy describes the first time you see several hundred horses with bones and feathers on them, and you can’t see a rider until you’re staring at the Comanche. It’s horrific. He writes in visual images which are spectacular, so it suits me down to the ground."
The truth, the reality of what's happening in the Southwest and Mexico as drug cartels slaughter their way to impossible wealth is hard to believe. And this film reveals what happens to a handful of people who venture into that wasteland. No romantic criminals here, no good guys rush in to save the day.
"The Counselor" isn't a film for mainstream consumers - it's a complex and unflinching view of dark hearts in a sun-baked desert. It is one of the most haunting movies you'll ever see.
Thursday, March 27, 2014
Tennessee: Home of Lowest Wages
Sure seems debate about whether or not to increase the bottomed-out minimum wage takes place in a wacky fantasy world from a kooky Depression-era musical.
Tennessee now ranks in first place for the number of folks who earn the lowest wage possible - and some say raising that wage will bring on an Apocalypse. Truth is, more adults are on of this poverty train than teens, the wage buys less and less every day, and the state's economy won't grow because these workers have tiny buying power.
The fantasy makers won't tell you that historically, increases in the minimum wage grow an economy, rather than kill it. The denial song and dance routine we are given simply achieves one goal - workers are kept in poverty, income gaps grow, and economic growth only takes place at the very top.
Worried it might raise prices? Duh - have you bought anything in the last few months or years? Costs are always rising but wages are not. That's a doomed economy.
Sunday, March 16, 2014
A Squeak Within The Roar
I toil with words and language, it's what I do. I write, I read, I arrange and rearrange the words looking for the combination which says "It" -- and "It" is always changing.
I'm often working to direct a play too, blending another writer's words with actors and other designers and artists in hopes of crafting a language of verbal and visual which an audience will enjoy on (hopefully) more than one level.
It's madness, really. The world around me provides fairly perplexed responses to such work. And it's work that's never really finished, I rewrite and refine always.
I've learned that being consumed with those constant word shufflings is fortunate in some ways - for instance, I've known since childhood the work I want to do. What drives me is not the approval of others, it's to connect clearly with those who read or listen, to share an experience.
But it is a kind of madness.
Currently, I'm working to direct 4 one-act plays for the Morristown Theatre Guild, and I am also acting in one of them, a play called "Universal Language" by David Ives. The plot of the tale is that I am attempting to con people into paying for learning a language which is total gibberish. My lines include such oddities as "gavotte kennedy doopferyu?" ... which roughly translates as "what can I do for you?"
The sounds and the intents of the words carry the meaning. And it's one of the toughest scripts I've ever tackled, and I often wonder if my brain is too rigid and old to accommodate such nonsense.
Like most folks, my brain is adjusting to text-speak and online language, which takes shortcuts and constantly creates new rules. The small notebook I always carry with me to jot down ideas and thoughts with pencil and paper seems deeply outdated. I carry a teeny computer device with me to also jot down ideas and search the worldwide web.
Madness.
Language and signs and symbols rise and converge and change and these threads of letters and words and ideas (hopefully) make some sensible cloth.
This blog and this post will likely make only a very small sound in the world of today and tomorrow. A squeak amid a cacophony. No matter. I'm stuck with who I am.
"Gavotte kennedy doopferyu?"
Friday, March 07, 2014
Four One-Act Plays In One Show
Once again I've been working with the Morristown Theatre Guild, directing this One-Act Showcase which opens next Friday.
The Guild is celebrating their 80th year with the start of this season - that makes them one of oldest businesses in East Tennessee plus the oldest community theatre in the state too.
The award winning shows in the Showcase include 3 one-acts from the collection "All In The Timing" by David Ives and a fourth one act, "Black Comedy" by Peter Shaffer.
Ives' plays include "Sure Thing", offering a young couple trying to make sure their first meeting gets off to a great start - no matter how many times they have to repeat and repeat what they say to each other; "Words, Words, Words" enacts the old saying that monkeys trapped in a room with typewriters will write a Shakespeare play - or can they?; and "Universal Language" takes audiences on a roller coaster ride when a woman tries to learn a new language that sounds like pure nonsense.
A final one act for the night is the award-winning comedy "Black Comedy" by Peter Shaffer (Amadeus, Sleuth). It's the story of what happens at a dinner party held during a power outage - the audience can clearly see the chaos, confused identities, and constant calamities taking place as the characters behave like they are in a darkened apartment in this wild physical comedy show. The story is set in NYC in 1965.
The four one-acts also focus on the very language of theatre itself and how time and place shape a story. An ensemble cast from age 17 to 60 tackle multiple roles and have made a very funny show.
Performances are March 14 -23 at First Presbyterian Church in Morristown and you can order tickets at 423-586-9260 and tickets will also be available at the door - show times are 8 pm on Friday and Saturdays, 2 pm on Sundays.
Thursday, February 27, 2014
Two Kinds of Happy
There's a line in the movie "Tender Mercies" when Robert Duvall's character says "I don't trust happiness." It's a line which resonates often too well.
I don't know what to make of Happy. It throws me off. I surely like and aim for Happy, but it slips away. One must hold it lightly I suppose, and one must share it in order to make more of it.
It's tricky.
A few mega-tons of bad news, bad ideas and the actions of bad people can overwhelm Happy. Such badness might seem to beat Happy out of every soul. While pondering a response to all the negativity, I've decided to just whip up a bit of Happy to share today. Two kinds, in fact.
Both kinds are songs, new and not so new. First up, Happy as offered by Pharreli Williams and then a shot of Happy from the Rolling Stones. Happy is a challenge for me, but I keep trying. Here's to some Happy for you.
Thursday, February 20, 2014
Counterfeit Meds in America
While outrage over antibiotics in chicken or beef grab headlines, critical questions about antibiotics and other meds taken by us human folk here in America point to an even more grim reality.
2004 saw the closure of the last American plant making such vital medicine. Fearing FDA oversight, companies fled overseas, so that today most antibiotics and key ingredients in other medicines are made in India and China - not a bad thing in itself, but now we find the meds you take may be fake at best, deadly at worst.
In truth many big pharma makers in India do a fine job. We know little about China since they won't let FDA folks examine their facilities.
-- The World Health Organization estimated that one in five drugs made in India are fakes. A 2010 survey of New Delhi pharmacies found that 12 percent of sampled drugs were spurious.
-- One widely used antibiotic was found to contain no active ingredient after being randomly tested in a government lab. The test was kept secret for nearly a year while 100,000 useless pills continued to be dispensed.
More tests of hospital medicines found dozens more that were substandard, including a crucial intravenous antibiotic used in sick infants.
-- India’s pharmaceutical industry supplies 40 percent of over-the-counter and generic prescription drugs consumed in the United States.
-- One federal database lists nearly 3,000 overseas drug plants that export to the United States; the other lists 6,800 plants. Nobody knows which is right.
Drug labels often claim that the pills are manufactured in the United States, but the listed plants are often the sites where foreign-made drug powders are pounded into pills and packaged.
-- Imports rule in America as we receive 80 percent of the seafood consumed in the United States, 50 percent of the fresh fruit, 20 percent of the vegetables and the vast majority of drugs, all originate overseas.
Wednesday, February 19, 2014
Are You What You Like?
PBS Frontline aired a program titled "Generation Like", exploring the rapid spread and rise of online activity on social media websites, which left me with several thoughts.
-- Social media users disgorge details of their lives to the world while that info is collected and sorted and stored for numerous business activities, especially marketing. But who is using who?
-- Is the world (well those parts with constant online access) joined in a brave new conversation? Are users just seeking validation via shared enthusiasms?
-- The multi-faceted chain of events which follow when a user clicks a Like button or retweets or reblogs something is vast. The reductive nature of the Like concept also is vastly multi-layered, but it strikes me as a sort of yearning for less loneliness, and a plea we share to seek some change to thought or action. "Like" encapsulates so very much.
-- Optimistically, I'm thinking the rudimentary hunt for Likes and Shares are akin to the early stages of communication, and the creation of a self identity. Optimistic, I say, but only time will reveal if people are growing, devolving, or headed into an unknown social construct.
Sunday, February 16, 2014
Keeping Time in Tennessee
I mentioned earlier (in Time) the state legislature is debating a bill to stop the back and forth of Daylight Savings Time. To clarify, sponsors want Tennessee to stay forever in DST.
Some fret over the state's businesses having to adjust with other states over the time differences, though really don't we have to do that anyway?
I have no clue what might have prompted this proposal - the change or lack of it seems capricious. Still, I'd sure like it if the changes would just stop. That said, does the idea really merit legislative debate?
What say you?
Monday, February 10, 2014
Did Bribery Bring Red Light Cameras?
A lawsuit points to widespread bribery and gifts paving the way for the arrival and use of red light cameras in Tennessee and other states.
Nashville Scene notes the cities in Tennessee - including my own here in Morristown - which should be examined.
Friday, February 07, 2014
Turn Left At Greenland - The Beatles and America
Watching The Beatles on TV on a Sunday in February 1964.
I was only three but this event was new, different. I can recall there was some yelling involved - my siblings were yelling and singing while watching TV standing up and jumping around. That was not they way we usually watched TV.
There had been some yelling before that too - some serious tension from my parents who did not think this Beatles thing on a Sunday of all days was good. It was bad.
Youth won out. My brother and sister and I watched it all.
My minister father really disapproved. And yet by the end of the 1960s, his hair was growing over his collar and his sideburns had gotten long.
That night in 1964 quickly changed everything - music, clothes, politics, religion, family, fame, and much more. Billions of words have been written about every note, every song, every person linked to the band, and more arrive every day.
It's good - great even - to know I was there that night. To grow up listening to the music, waiting for new albums and new singles to get released. It seemed each release pushed at the limits of imagination.
I've learned since that night how much work the band put into all they did. Work which changed how music was written, recorded and marketed. Business changed. Families changed. Lives changed.
Changing the world with music. It's a primal force, which many have tried to duplicate - none have.
50 years later, we all live in a world those four musicians remade.
Monday, February 03, 2014
State Ponders Dropping Out of Daylight Savings Time
A bill has been filed to exempt the state from observing Daylight Savings Time, from Rep. Curry Todd and Sen. Janice Bowling.
I'd sure like the time changes to stop and for us to just have one time system. But there will likely be passionate debate on the topic for and against. Some things, unlike Time, never change.
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