The World Has Lost the Original Star Wars Movie

I feel your pain.

Director/producer/movie mogul George Lucas doesn't want anyone to see the movie which launched the legend of Star Wars.

"In 1978, Star Wars won seven Academy Awards. But if you want to watch that original version, the first of George Lucas’s soon to be seven-part saga, you’ll find it difficult. In fact, it’s actually impossible to buy an official copy of Star Wars as it was first released. Lucas doesn’t want you to see that version. Instead, he wants you to watch the continuously updated special editions—movies with added CGI, changed sound effects, and whole new scenes.

But fans aren’t the only ones who want Lucas to release the original. Curators at the National Film Registry picked the 1977 version of Star Wars to preserve for history’s sake, but they still don’t have a copy in the registry. When they asked for a copy, Lucas refused, saying that he would no longer authorize the release of the original version. The Library of Congress does have a 35mm print of Star Wars, one that was filed in 1978 as part of the movie’s copyright deposit, but the registry, where films are meant to be preserved for history, is still without one."

But you can't see that copy, it's archived for preservation.

Rumors flew last week an non-updated, original version of the first trilogy was headed for Blu-ray ... but I don't think so. Disney now owns all the movies - except for the original Star Wars, which is owned by Fox. They aren't talking about a new Blu-ray

I feel your pain.

I was there when it hit theaters the first time. I was there hundreds of times. .It was, indeed, glorious. 

That moment, that experience has vanished now, despite, as mentioned in the link above, the fierce efforts of fans to return to that original. Perhaps this can be a learning moment for you. Treasure your experiences. They seldom remain something you can own.

However, the world today does have the world that the movie helped create - the history, the intense fandom, the continuing saga - and for that we can be thankful.

Camera Obscura: The Sad Demise of George Lucas

It's sad to witness the strange demise of filmmaker George Lucas, who no only held great promise, but exploded the world of cinema and cinema fans with his original "Star Wars" trilogy, and then exploded the world of visual and audio effects with his breakout creations of Industrial Light and Magic. But that is all in the past, and here in the present, Mr. Lucas appears oddly lost and angry and I'm left to wonder what happened to him.

Yes, yet another fanboy critique of you and your work. I'm really sorry. I know it isn't anything you want to hear.

His company and he himself financed and released today a big-budget tale of the incredibly heroic World War 2 pilots known as the Tuskegee Airmen titled "Red Tails". And he's been very vocal about what he sees as Hollywood's failure to support big budget movies with all-black casts. Indeed, he drafted the creators of "Undercover Brother" and "The Boondocks" to write and direct this movie. But his own goal was to created a sort of patriotic African-American John Wayne hero movie when I don't know that anyone - regardless of their race - wanted one. Hey, you want a tough, he-man African-American genre movie hero? Watch "Shaft". And that was decades ago, and now, audiences are just expecting more.

Or better, if Lucas wants to energize Hollywood to support African-American directors and writers and actors, then give them the financing and the whiz-bang effects and tell them "Make the stories and movies that you want to make."

After reading this lengthy interview with the angry and seemingly disconnected Lucas in the NYTimes I was left with the impression that he has somehow been diluted into a weird sort of Howard Hughes person. He had too much success, too much money, too fast and too soon. Lucas' has really hokey ideas about movies (not necessarily a bad thing) and has nurtured an incredible amount of technical development of cinema - but hates anyone who might challenge his decisions to make "Star Wars" anything except what he wants it to be. Fights with a world of fans? Really?

Midi-chlorian machine

Here's my own personal fanboy rant against how Lucas unwisely changed the intentions of his "Star Wars" tale -- the original film (now called Part 4) was a hero's journey, a young man takes on adventure and ideas (empires even!) far beyond his grasp and changes the world as a Jedi Knight. But in "The Phantom Menace" (aka Part 1), we learn, hey, to be a Jedi, you have to have the right genetic code (something Lucas wrote of as a high Midi-chlorian count in the bloodstream) in order to be special. Heroism or wisdom is not achieved through effort and work, it's just about being born with the right heritage. ?????

He's about to release (again) the entire movie series now in 3-D, and from Part 1 through Part 6. But if you tell (or see) this story out of the original order, there is no mystery as to who heroic Luke Skywalker and villainous Darth Vader are. None. So what story are we watching now? Not the ones which forever changed movies and movie audiences around the world.

Let's put it this way and compare some basic movie-making concepts --

Also being released theatrically today is a movie called "Haywire" by the director Steve Soderbergh (who also did the camerwork and the editing), and he's been a critic-approved director and a blockbuster-movie-franchise creator too, for many years. But he also makes small-budget, tightly wound action and thriller movies too. "Haywire" is mostly a karate/kung-fu action yarn - a straight-up genre movie, expertly made. He's done this type of thing before with the excellent crime thrillers "Out of Sight" and "The Limey".

Compare that with "Red Tails" - it too has rousing action scenes, yes, expertly made. But "Red Tails" comes from real-world events and that history is pretty much discarded here. "Haywire" ain't history, did not cost a fortune to make, and is based in fantasy. And Soderbergh has also taken on huge historical projects too, like "Che: Parts One and Two", which don't skimp on history or action and is a truly notable achievement.

From here in my movie fanboy seat, I can easily pick the better filmmaker, and he's probably a happy fellow too. So it is not George Lucas.

I still like his early films too - "THX-138" and "American Graffiti" are great movies (which Lucas hates). But after 1980 ... it's all been downhill.

Here are a few more examples you can watch tonight on Turner Classic Movies - both sharp, witty, exciting crime thrillers, expertly made, and expertly written and performed by using well-made characters in settings both imaginary and real, which are both popcorn movie fun and still manage to speak to real-world ideas, like technology and individuality.

First, at 10 pm "The Anderson Tapes" by Sidney Lumet. Sean Connery and an excellent cast plot a massive heist at a luxury apartment complex in NYC. Fresh from prison, none of them know how much every move is being tracked by casual and police surveillance sources.

That's followed by the original version of "The Taking of Pelham, One Two Three", about crooks pretending to be terrorists as they hijack a subway car in Manhattan. Every performance here stands out, major and minor, they move and sound like real New Yorkers and real crooks. The recent remake was awful - this version is hugely entertaining.

So You Think You're a Star Wars Fan?

30 years, six movies, a gajillion product tie-ins and fan conventions which seem to occur every few seconds at some place on the globe -- all that has made George Lucas' "Star Wars" a bona-fide legend (and made Lucas one rich man). Memories of the first film (now known as Episode IV) have been abundant this weekend as fans mark the anniversary of the release of the original film.

I have my own personal memory. It started on a summer night in Newport, TN when some friends and I went to watch a movie at the Woodzo Drive-In. I can't recall what movie we went to see, but I vividly recall seeing the preview for "Star Wars." First, though, a little background. Way back then, the Woodzo was adjacent to another drive-in, called Scenic Drive-In. That drive-in exclusively showed soft-core porn - which was a little odd in that the screen actually faced the highway, so anyone driving past might catch a glimpse of a 40-foot close-up of a boob or butt check or even more.

Anyway, on that night, my friends and I were scooting across the fence between the Woodzo and the Scenic to watch some movie with naked girls. However, just before I scooted across, I happened to hear and see the first images of "Star Wars." The announcer was talking about aliens from 1,000 worlds and spaceships firing off lasers and robots talking and walking around and that preview just froze me to the spot. For the first time in my young life, thoughts of naked women became a secondary issue.

I was friends with the owner of the Woodzo, so I immediately went into the projection booth to talk to him about the preview he had just shown:

"Harold, what was that movie?"

"It's called The Star Wars," he said.

"When will you show it?? I have to see it!"

"Well, not fer a while. All the hard-top theatres will get it first, but it'll come here later this summer." (NOTE: hard-top theatre is an indoor theatre.)

By the time it did arrive at the Woodzo, I had already seen it in a hard-top theatre, which was a good thing, since it was nearly impossible to get to the Woodzo in time for a parking spot for their showings as the movie was a monster hit by then. And yes, I was one of those legions of folks who saw the movie about 40 times during it's first release.

Still, I often ponder if it was the movie or the marketing for it which made it such an icon of entertainment. The marketing continues full tilt to this day. As the photo above shows how folks today can order Star Wars Halloween costumes for their pets.

Back in the early days, you could even buy your little girl Star Wars Underoos. Insects now have scientific names based on Star Wars' character names.

The inter-web, of course, is loaded with collectibles, parodies, jokes, essays and more - there is a four-page collection of links here at Look At This (such as the rock band that wears Star Wars costumes and is named AeroSith) and the Star Wars related theme posts on MetaFilter is likewise a huge list of links.

One odd bit of movie trivia I learned from watching the movie and it's sequels so much was the inclusion of a sound effect scream, known as The Wilhelm Scream, The scream is in all the Star Wars movies, but dates back to the early 1950s and is still being used today, in movies like "Reservoir Dogs", "Spiderman", and "Shrek the Third". A full list of the movies with the scream is here, and the history of the scream here. Whose voice made the scream? Best bets say Sheb Wooley.

So these days, I divide the fan loyalty (or madness) into two groups: those who know about the Wilhelm Scream connection and those who don't.

RELATED: Some other remembrances are here from Kat at NiT.